Great Northern
8″ x 6″ – Oil – $525
Inversion II
10″ x 8″ – Oil – $675
Chair One
8″ x 6″ – Oil – $525
Inversion I
6″ x 8″ – Oil – $525
Loss
12″ x 12″ – oil – $1,050
Avalanche Chute Study
8″ x 6″ – Oil – $425
Rumble Lake
8″ x 6″ – Oil – $425
Cow Creek
8″ x 6″ – Oil – $425
A Warm, Subtle Vale
35″ x 47″ – Oil – sold
When We Were Still
9″ x 12″ – Oil – $750
Moonrise Over St. Nick
8″ x 6″ – Oil – sold
Unknown Peak
6″ x 8″ – Oil – sold
Partial to the Bleeding Light 1
20″ x 20″ – Oil – sold
Glacier Range
6″ x 12″ – Oil – sold
Nine Pipes
6″ x 11.5″ – oil – sold
I’ll Watch Over
24″ x 24″ – Oil – sold
Elephants Graveyard
8″ x 10″ – Oil – sold
When We Get There
12″ x 12″ – Oil – sold
Clarity
6″ x 8″ – Oil – sold
Winter Barn Study
6″ x 8″ – Oil – sold
I’ll Hold Your Past
11″ x 14″ – Oil – sold
We All Leave
12″ x 12″ – Oil – sold
Rising and Falling
16″ x 20″ – Oil – sold
The Long Wait
12″ x 12″ – Oil – sold
Rising Up (Mission Mountains)
6″ x 6″ – Oil – sold
Coldest Before Dawn
6″ x 8″ – Oil – sold
End of Winter
5″ x 7″ – Oil – sold
Partial to the Bleeding Light 2
20″ x 20″ – Oil – sold
Mission Morning
6″ x 8″ – Oil – sold
Leading Somewhere
12″ x 12″ – Oil – $750
Bleeding Light Study 2
6″ x 6″ – Oil – sold
Last Snow Study
6″ x 8 – Oil – sold
Mission Hay Bales
8″ x 10″ – Oil – sold
Mission Spring
6″ x 8″ – Oil – sold
About Richie
Richie Carter was born and raised just outside of Kalispell, Montana, where he instinctively took to the beauty of the surrounding landscape. He obtained a Bachelors of Fine Arts in painting from The University of Montana. He also studied in San Diego California, Venice Italy, and Amiens France.
Richie is primarily an oil painter and is interested in capturing the reality of the Montana landscape. The ‘alla prima’ method lends itself best to his artistic view. It is a way of working painting ‘all in one go’ as the subject sits directly in front of you changing as the sun moves across the sky. Working from life when he can is very important. There is a certain understanding of the landscape that is obtained which one does not find as evident when working strictly from a photo. He hopes to allow the viewer to share in his passion for the outdoors and beauty he finds in his subject matter.